Simple EQ Tips for Harley Davidson Baggers

There are a few basic concepts to be aware of before setting your EQ that will get you better result much quicker than just playing with the EQ until you think it sounds better. 

Step 1. Get Yourself a Few Good Recordings.

Your selection of music should be dictated by particular aspects of the recording (wide range of bass tones, clear vocals .etc) that have nothing to with the type of music you like. Forget about your favorite artist or album for now. 

Here are my recommendations for music tracks to use for tuning a bike system. You can use any number of services on your smartphone (such as iTunes) to download the following tracks.  

  • Billy Jean - Michael Jackson. This recording was done particularly well for many technical reasons. It's a great track to set your amplifier gains with due to the relatively high recording level and low distortion. The bass track in this recording is great for assessing the performance of your woofers and how well they are (or are not) working together. If you listen you will notice that the bass line goes up and down in frequencies giving you a wide range of bass tones. Most popular music will focus on just one bass note. That makes it really hard to tune a system that will sound great with a  variety of music. The hard drum strike in this song is a good one for identifying speakers that are out of phase (signal phase) with each other. I wrote an entire article about that topic that you should read and follow before attempting to set your EQ. You can find that article here. Now listen to how hard each drum strike sounds. Use the phase control to invert each set of speakers until you get the most impact from those drum strikes. A harder impact is indicative of proper phase alignment amongst your speakers as a group. Harder impact in the bass region is a great indicator that you are headed in the right direction. Beyond the Bass. There is more to this music track than just bass. Listen to Michaels voice. He should sound clear and focused. He should not sound distant and should not sound like he is singing into a coffee can. Most anyone from planet earth is familiar with this song and how it normally sounds. That makes this song a valuable tool when setting your system up. This track is also good for setting up tweeters and evaluating all of the highs for proper level in general. For actual EQ settings for highs though I leave for other tracks that are more vocal based. 
  • The Breakup Song - Greg Kihn Band. This song is another great recording that displays a very wide range of tones and vocals. I like to use this song mostly for equalizing vocals and setting amp gains. 
  • Anima - Bastian Bux. This is the go to track for bike systems with subwoofers. I really only use this track to setup subwoofers. It's a good track to use to make sure that your lid speakers are in phase with your subs. Its very apparent when that speaker phase relationship is correct or not when playing this track. Because this track produces a lot of air pressure inside the bags it is also good for detecting leaks and rattles. If your bags are properly mounted and gasketed, you should not have a problem with air leaks or rattles of any kind. Be aware that the lid hinges and locks can be a source of rattles. Neoprean gasket in the hing
  • Use any track that you are familiar with on a big sound system. Being familiar with how a track sounds is important. Getting a bad or mediocre music track to sound the way you want is not the goal here. That's a waste of your time and frustrations. And has nothing to do with properly tuning a sound system.   

Step 2. Defeat Any Sound Related Feature on Your Smartphone

Turn off Sound Check. Turn off any EQ or sound related effects. Do not use these features that are built into your phone or you are asking for trouble. The digital sound processing in your phone is made and optimised for ear buds and not a big bike system. 

Step 3. Turn the Volume of Your Phone All of the Way Up. 

Most all phones do not distort with the volume all of the way up. You want the highest undistorted volume level possible to go to your radio. This is always the case. 

Step 3. Check That All of Your Crossover Settings, and Amplifier Gains Are Correct for Your Speakers and Check Speaker Phase Before You Go Any Farther. 

 The EQ is the last thing that you should set. All of the EQ magic in the world will not do you any good if you haven't first set your crossovers, gains, and checked for speaker phase. Speaker phase must be checked both at the wiring level as well as at the acoustic level. You can find the article about checking phase ata the acoustic level here.  

Step 4. Double Check the High/Low Input Switch on Your DSR1.

This step is important enough to be a step all of it's own. This setting should be on high if using a factory radio. 

Quick and Dirty Tips for Actual Eq Settings

  1. keep your adjustments minimal. If you find that you have to make big adjustments on the EQ to get a result, then you are probably missing something important. Because that should not be the case. 
  2. Don't Boost Bass Frequencies. The most common mistake we see people doing is boosting bass frequencies. You can get away with this in a car, but on a bike you are just asking to overdrive your speakers and have them eventually fail on you. 
  3. Always reduce the frequencies that are too loud instead of boosting the frequencies that you want louder. When you boost EQ bands you put a lot of unnecessary demand on your speaker for that frequency range. This can lead to early distortion and even speaker failure. You will notice that Rockford only allows you to boost any given band by 6db but you can cut any band by up to 24db! This is because the guys at Rockford are smart and know what they are doing. 
  4. Always start with adjustments at low frequencies and move your way up. The math behind the physics dictates that a lot of frequency related issues actually occur at lower frequencies and then those same issues cause problems at higher frequencies.  So if you start with making adjustments to high frequency bands, you will often not be solving the core issue at all. You could even make things worse! 
  5. Use the basic EQ in the DSR1 app first. Then move on to the advanced EQ. 
  6. Don't adjust "Q" factors for the individual bands until you have already gotten to the point that the system is close to dialed. Even very advanced users don't normally have to use an Q adjustments at all most of the time. The Q adjustment can be a very handy and powerful tool for an advanced user, but it is not usually a necessity. 
  7. Make your adjustments in the advanced EQ in groups. Refrain from dramatic peaks and dips between bands. Most valid adjustments will be gradual between bands. Sharp adjustments between adjacent bands can cause other more complex problems. 
  8. Rely on your ears for the final judgement. Even when using test equipment like I describe below, your ears should always have the final say. 

Important Frequency Ranges to Pay Attention to First

  • 100hz range. This is the bass range that can be heard best on a bike. That makes it important. 
  • 1khz - 2khz range. This range has a lot of impact on vocals and can make them sound bold or thin. 
  • 4khz range. This range has a lot of impact on how spaciousness of the vocals. 
  • 10khz range. This range is the best place to start when making the high brighter or duller.  Frequencies above this range can make a system sound very harsh if not kept under control. 

    Want to See Exactly What Is Going on with Your Sound?

    Harley RTA

    It's cheap and easy to do using a second smartphone. Go to Parts Express and order the Dayton Audio iMM-6 microphone ($14.50). And while you are at it get yourself a 6 foot 4 pole 3.5mm extension cable so that you can hold the smartphone in your hand while you use it to tune your bike. The idea here is that you can play a test track called "Pink Noise" through your system and the microphone picks up that test tone and displays a frequency graph in real time. In the picture above the result is displayed on the tablet. Then using a second smartphone or tablet you can adjust the EQ(s) in the DSR1 to flatten that frequency graph out in real time. 

    This is a very powerful tool that allows you to quickly discover and accurately identify frequency based problems so that you can correct them. But remember, the small adjustments should be based more on what you hear and not just on what the graph says. 

    When using an RTA (Real Time Analyzer) system like this, you typically go back and forth looking at the graph and listening to music several times before you get to a result that you are looking for. 

     

    You can find the microphone here: https://www.parts-express.com/dayton-audio-imm-6-calibrated-measurement-microphone-for-tablets-iphone-ipad-and-android--390-810

    You can find the cable here: https://www.parts-express.com/parts-express-35mm-four-conductor-trrs-extension-cable-for-mobile-devices-6-ft--240-002

     You can find the RTA app to use on your smartphone here: https://studiosixdigital.com/audiotools-modules-2/acoustic-analysis-modules/rta/

    This is my favorite app to use but there are many many RTA apps out there to chose from.